Improvising Trilobite Eyes via InterPlaying
InterPlay is an active, creative way to unlock the wisdom of the body
Exploring Evolutionary Concepts in Community at the Atlanta Science Festival
Written by Ruth Schowalter, certified InterPlay leader and educator
(Reposted from InterPlay Atlanta, March 2016)
“Trilobite Eyes” was a comment one participant left on Facebook beneath the group photo of the InterPlay workshop my scientist husband and I facilitated on Sunday, March 20 for the 2016 Atlanta Science Festival. After all, we had done the activity, “Walk Stop Run,” adding “the lean” using “Trilobite Eyes,” to ask another person’s permission through eye contact before engaging in some physical contact to support each others' weight, and then using eye contact again before disengaging from one another.
Titled “Improv-ing Evolution,” our two-hour collaboration where evolutionary concepts met the improvisational system of InterPlay was a resounding success! Participants reported having so much fun, laughing, and patting their chests as they proclaimed it a Sunday afternoon well spent. Other responses expressed surprise, such as “I learned something!” And it was wonderful to discover that often the acquisition of knowledge came from a partner, not the workshop facilitator and authority on the evolution content—Tony Martin, paleontologist, author, and Emory professor in the Department of Environmental Sciences, nor me, the certified InterPlay leader.
How to play with scientific topics? How to engage the “whole” person—in addition to the mind—the body, heart, and spirit? Although we are in the beginning stages of teasing together science content with InterPlay’s respectful improvisational forms and principles, Tony and I find it deeply satisfying to share moments of discovery and insights with participants that feel joyful.
During this workshop that took place at Core Dance Studios in Decatur Square, I noticed slowly dawning smiles, sudden gasps expressing epiphanies, and a physical expansiveness as they connected with each other through stories and movement. And these were emotional and physical responses while discussing abstract concepts like deep time and co-evolution through pollination! Yes!
During this workshop that took place at Core Dance Studios in Decatur Square, I noticed slowly dawning smiles, sudden gasps expressing epiphanies, and a physical expansiveness as they connected with each other through stories and movement. And these were emotional and physical responses while discussing abstract concepts like deep time and co-evolution through pollination! Yes!
Before we had danced “Trilobite Eyes,” we did a typical InterPlay warm-up series, which included saying our names twice (even though there were more than 25 participants) and choosing a motion and having everyone repeat it. In our case, we had everyone choose a plant or animal and create an action his/her body wanted to make to express it. The workshop “fun” was ignited in the circle as everyone rapidly generated a surprisingly different movement to accompany sloth, rosemary, dinosaur, tree, or dog, or whatever…. It was clear that individual creativity was present in the room!
Playing with the context of “deep time,” we stretched, hugged ourselves, swung our legs, and made big hip circles to the song, “Ages of Rock” on Ray Troll’s album, “Cruisin’ theFossil Freeway.” We embodied the idea that evolution takes time, and that the billions of years comprising the Earth’s history are divided into periods on the geologic time scale. Scientists divide these periods with names like Cambrian, Mississippian, and Jurassic by significant earth events, like the separation of the continents, or mass extinctions, or life explosions. We found that participants, after moving to “Ages of Rock” and asked to describe the periods or stages of their lives to a partner, also defined their life stages by important events, such as graduation, jobs, marriages, children, and illness.
Once again, just as we did in our workshop at the 2016 Southeastern Evolutionary Perspectives Societyconference at the University of Alabama, Tuscaloosa in February, Tony and I introduced two explanations of how change occurs, Phyletic Gradualism and Punctuated Equilibrium, using “Incremental Steps” and “Walk Stop Run” (see this blog post).
As my husband and I explore how to combine scientific concepts with InterPlay forms, we are developing an organizational structure of play with "micro-lectures." The scientist (Tony) intermittently offers content and answers questions as they occur. Then participants are invited to embody or create with that content in a personal way either through babbling, longer forms of story telling, and solo or group movement.
WAITING TO BE POLLINATED. (photo by Ruth Schowalter) |
Energy flooded the room during this pollinating frenzy. Witnesses, flowering plants, and pollinators were enlivened. Magic happened. Laughter punctuated individualized choices of movement and connection. “I will never see pollen the same again,” said participant Carol Glickman, M.S. Applied Linguistics and educator. She waved her hand out beyond the dance studio windows from where we were "playshopping." The Decatur, Georgia, skies were darkly yellowed with spring pollen. “I will hear these soundtracks and imagine all kinds of behavior going on that was invisible to me before,” she finished.
The two hours we had together for this Atlanta Science Festival workshop were too short. Tony and I had planned enough activities for a day! We didn’t get a chance to explore movement from dinosaurs to birds (which are modern day dinosaurs), nor did we get to do the hand-to-hand contact to embody our evolution from fish to humans using Ray Troll’s song, “Fish Face.”
But before concluding our time together with these enthusiastic particpants, we had the opportunity to “flock,” “school,” or “herd”—that is to play around with evolution within a species and cooperative group behavior. After dividing the participants into four groups, each chose an animal to embody together. Wolves, geese, eagles, and lemmings then warmed up by taking turns being leaders and followers within their groups before “flocking” (moving together as a group) for the rest of the participants to watch.
WITNESSING EAGLES FOLLOWING AND LEADING. |
PERSONAL EVOLUTION STORY. As our workshop came to an end, we invited participants to share their own evolution stories, using movement, a made-up language, or English. (photo by Ruth Schowalter) |
Improv-ing Evolution GROUP PHOTO! (photo by Atlanta Science Festival volunteer, Michelle Schmitz) |
Acknowledgments: Meisa Salaita and Jordan Rose of the Atlanta Science Festival. The volunteers Amanda, Michelle and Michelle, my husband and collaborator, Tony Martin, the InterPlay Atlanta family who attended, Jay and Yumi from CPACS and the Clarkston Community Center, and all the new participants that showed up and dedicated themselves to playing and learning. Thanks to scientists Bill Witherspoon and Pamela Gore, authors of Roadside Geology of Georgia. And as always thanks to InterPlay co-founders, Phil Porter and Cynthia Winton-Henry.
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